Please allow me to start by saying that no matter how I used the new camera, the end picture result was lovely. In the short video above, I tried to simulate a few working scenarios, such as shoulder operation, lowlight shooting, using a video picture profile, shooting a planned interview and more. These can be measured in several aspects, from announcing a new camera and being able to (finally) ship it almost simultaneously, to designing a product that looks and behaves like a mainstream usable working tool (hello, ND filter…). Now, with the introduction of the Blackmagic URSA Mini Pro, the signs of maturity have become even more evident. When the original URSA Mini was introduced, we said goodbye to the awkward “hyperdeck shuttle with an attached sensor camera box” form-factor from Blackmagic’s earlier designs. In my opinion, from this point onward, Blackmagic Design should be considered as a camera manufacturer that has taken a big step forward, and must be taken very seriously. I won’t go into all the improvements that make this model more suitable for occasional professional work (see instead my colleague and friend Nino Leitner’s Hands-On Video Review HERE), but I would like to highlight this as a significant moment. Earlier this month in a well-coordinated streaming event, Blackmagic Design introduced their new URSA Mini Pro camera aimed for the professional filming crowd.
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